Private View held by Richard Andrews
The Wellcome Wing, Science Museum, the latest £50m Lottery makeover project opens to the public on 3rd July. It will transform the venerable Victorian institution into a rival to the "Science Lite" visitor attractions which have been springing up recently. The new wing, designed by Richard MacCormac, centres on contemporary science and technology, containing an Imax cinema and four floors of interactive theatrical installations that give a passing impression of one of the villain's lairs designed by Ken Adam for the Bond films. These displays are designed to be constantly updateable as new technology arrives. Forming an introduction to the new galleries, the museum's main floor has been rejigged to create Making The Modern World. This is a display of the most historically important objects in the collection, showing the connections between the past and the present, attempting to explain how we got to where we are now, before the new wing tackles the future. Further information from the interactive 3D Wellcome Wing mini web site, which is part of the Science Museum site.
The Norman Foster Studio - Exploring The City is a major retrospective of the work of Foster and Partners, one of the world's leading architectural practices, whose reputation in Britain was partially established by the design of the building which houses the exhibition. However it is the prestigious international projects for which the practice is best known, such as the Hongkong and Shanghai Bank Headquarters and Chek Lap Kok Airport in Hong Kong, the Commerzbank Headquarters in Frankfurt (Europe's tallest building), and the rebuilding of the Reichstag in Berlin. This exhibition reveals the diversity of the work of Foster and Partners, from urban planning, airports and railway stations, museums and universities, stadia, office buildings and private houses through to furniture and industrial design. Using models, prototypes, interactive material, video, film and slide projections, it offers an insight into the creative processes of Foster's studio. Almost the most interesting are the materials relating to projects which were never built. With immaculate timing the wobbly Millennium Bridge controversy has appeared to keep the Studio's feet firmly on the ground - if that's not an oxymoron. Sainsbury Centre For Visual Arts, University Of East Anglia, Norwich, 01603 456060 until 10th September.
The Royal Military Tattoo 2000 will be the most spectacular event ever to be staged on Horse Guards Parade, and is being styled military theatre. The two hour show will feature more than 1800 performers, including over 700 musicians, more than 180 horses, two of the largest mobile video screens in the world, lasers, fireworks, son et lumiere presentations, live parachute action, and overflights by historic and contemporary aircraft. These resources will used to tell the story of 1000 years of British military history, including re-enactments of Agincourt, the Civil War, Waterloo and the Charge of the Light Brigade. The son et lumiere will feature amongst others, Judi Dench as Elizabeth I, Robert Hardy as Winston Churchill and Prunella Scales as Queen Victoria. Horse Guards Parade 9th to 15th July.
The Wallace Collection was opened by the Prince of Wales on 22nd June 1900, and it celebrates its centenary with the opening by the current Prince of Wales of a £10.6m lottery funded refurbishment. Millennium project specialists Rick Mather and Ove Arup have created an extra 30% of new gallery, education and support space out of the unused and excavated basement, and a restaurant in the roofed in central courtyard - a scheme first proposed in 1908. There will be four new galleries for Reserve Collection, Watercolours, Exhibitions and Conservation, and a Study Centre comprising a 150 seat Lecture Theatre, Seminar Room, Education Room, and drop-in Library. The covered courtyard area has been transformed into an all weather Sculpture Garden, and sees the re-instatement of a bronze fountain brought by Sir Richard Wallace from his château de Bagatelle in Paris. The Wallace Collection is the finest private collection of art ever assembled by one family. It was bequeathed to the nation by Wallace's widow in 1897, and is housed in Hertford House, their former home. Among its treasures are one of the best collections of French 18th century pictures, porcelain and furniture in the world, a remarkable array of 17th-century paintings and a superb armoury. Its best known work is The Laughing Cavalier by Frans Hals.
The Gadget King: The Drawings Of Heath Robinson is an exhibition of 74 original works by William Heath Robinson, the master of the ramshackle "make do and mend" invention. The focus of the exhibition is machines, both imagined and real, and it is complimented by a specially commissioned 15ft high mechanical musical sculpture by Jonathan Woolfenden. There are black and white drawings and watercolours from all stages of Heath Robinson's career, embracing fairytales, scenes of everyday life, wartime magazine illustrations and ingenious inventions, including the Channel Tunnel as imagined in 1917. A quintessentially British eccentric and national treasure, Heath Robinson's name has entered the language defining "an over-ingenious, ridiculously complicated or elaborate contrivance". Heaton Hall, Manchester City Art Galleries until 29th October
The Tate Gallery has announced the four artists who have been shortlisted for this year's Turner Prize. They are: Glenn Brown, who paints reproductions of photographs of famous paintings which remove all the painterly nuances of the originals; Michael Raedecker, who won last year's John Moore Prize for his painting of a desert which used stitching and sequins; Tomoko Takahashi, whose installations have included a pile of discarded junk at the Saatchi Gallery (a concept which resonates at the Tate); and Wolfgang Tillmans, whose photographs of clubbing used to appear in I-D but are now unaccountably considered art. Brown is considered the current favourite. The £20,000 Turner Prize is awarded to a British artist under 50 for an outstanding exhibition or other presentation of their work in the twelve months preceding 31st May. It is intended to promote public discussion of new developments in contemporary British art. Work by the shortlisted artists will be shown in an exhibition at Tate Britain from 25th October until 14th January, and the winner will be announced on 28th November.
Encounters: New Art From Old is a Millennium project for which twenty four established contemporary artists from Britain, Europe and North America were invited to choose a work from the National Gallery's collection and respond to it with a new work of their own. It offers an unprecedented opportunity to view a major exhibition of contemporary artists at the National Gallery (and is nothing to do with the opening of Tate Modern at all). The participants include painters, sculptors, photographers and video artists, and some of the combinations are: Auerbach/Constable, Bourgeois/Turner, Caro/Duccio, Clemente/Titian, Freud/Chardin, Hockney/Ingres, Hodgkin/Seurat, Kiefer/Tintoretto, Kitaj/Van Gogh, Kossoff/Rubens, Oldenburg and van Bruggen/Vermeer, Rego/Hogarth, Tàpies/Rembrandt, and Wall/Stubbs. The exhibition aims to demonstrate the value of the collection to artists working at the end of the 20th century, although some may consider that it demonstrates the decline of painting over the last 50 years. If you do want to check out the opposition, you can travel free from the National Gallery to Tate Modern and Tate Britain this summer on the Art Bus. Two special double decker buses will run every 30 minutes from 10.00am to 6.00pm until 30th September. National Gallery until 17th September.
warningSHOTS! is an attempt by the Royal Armouries beleaguered devolved museum in Leeds to make a name for itself and pack in a few people by giving the public what they want. It is leaving behind the dated stuff like swords and armour, becoming accessible and gaining street cred by concentrating on 21st century violence. (What next a relaunch with the slogan "Royal Armouries - we'll blow you away"?) This is the world premiere exhibition of a contemporary art collection built up since the relocation, which explores issues of individual and urban conflict and violence and their effects on modern society, as seen by contemporary artists in painting, photography and video. Containing powerful and disturbing imagery, the exhibition is pitched as "a warning shot to society to raise questions about reality, as well as the perception and portrayal of violence". Yeees. A more defensible move down market might have been to stage an exhibition featuring the arms and armour of Xena - Worrior Princess. Royal Armouries, Leeds until 3rd September.
Kingdom Of The Soul: German Symbolist Art 1870-1920 is the first exhibition of German Symbolism to be staged in Britain, and this is the only UK venue for a Birmingham-Frankfurt-Stockholm collaboration. It features over 180 paintings, drawings and sculptures, by artists such as Arnold Bocklin, Franz Von Struck and Max Klinger (wasn't he the one who wore a dress in M*A*S*H?). The exhibition includes many previously unseen works from public and private collections in Germany, Switzerland, Italy and Eastern Europe. German Symbolism, like the British Arts and Crafts movement, represented a reaction against the industrialisation of the modern world. Mythological subjects and Arcadian landscapes reveal a longing to escape from a corrupt world in search of a lost innocence. A Freudian exploration of the darker side of the human psyche produced a mixture of death, decay and sexual entrapment, and a questioning of spiritual beliefs and moral values as a new century dawned. The celebration of nudity (both male and female) deliberately challenged the prudish moral codes of the society of the time. Birmingham Museum & Art Gallery, 0121 3030 1966, until 30th July.
Constable's Clouds is the first showing of a unique exhibition of nearly 80 paintings by John Constable, highlighting his enduring fascination with the British weather (easy to see why he is one of Britain's favourite painters). The biggest Constable show ever staged outside London, it brings together large well known landscapes and rarely seen cloud studies, including many key works, notably The Leaping Horse and Salisbury Cathedral From The Meadows. No other artist has equalled Constable's skills in capturing what it is like to be outside - so much so that his fellow artist, Fuseli, is said to have wished for an umbrella when looking at one of Constable's showers. Walker Art Gallery, National Museums & Galleries on Merseyside, Liverpool, until 16th July.
The Show 2000 presents the final year work of MA students in the broadly based Royal College of Art, encompassing fashion, fine and applied art, sculpture and design. The particular fusion of the aesthetic and the practical is the RCA's metier. The exhibition is both a celebration and promotion of the students creativity, and a hotbed of new ideas. All works (and of course their creators) are for sale. Many distinguished careers have started at this annual show in the past. It's an opportunity to spot the next Chris Ofili, Tracey Emin, James Dyson or even David Hockney, invest in them while they are still affordable, and perhaps catch the start of the next artistic or design trend. Royal College of Art, 020 7590 4498, until 10th July
Inside Out: Underwear And Style In The UK unflinchingly takes a peek in Britain's underwear draw. It reveals specimens which range from the mass production of M&S (can they really sell such a mountain of mini-briefs) through Agent Provocateur (more S&M than M&S) to the more exotic (read really expensive) creations of Alexander McQueen and Antonio Berardi. Technical innovations currently under development include the alarm bra, which can monitor the heartbeat and act as a rape alarm. The exhibition is curated by the British Council, and if you thought that they only sent out tours of Shakespeare to the outer reaches Commonwealth - well this is what is meant by accessibility. Design Museum until 2nd July.